I have to admit that I first became interested in The Book Of Speculation after learning from Goodreads about her over-the-top method of submitting her debut manuscript to publishers.
As if writing a book isn’t daunting enough, learning that she handcrafted aged pages and hand-bound enough ‘old’ books to submit to various publishers… well, I was impressed with her tenacity and absurdity.
The plot hinges on the idea that a particular old book is such a fascinating object that it could consume someone’s life. It felt very important to create that experience for a person reading my manuscript. It was a simple thought: if they connected with the manuscript as an object, it would pave the way for connecting with the story. I had next to zero experience in bookmaking when I decided to bind and age the manuscripts. I might have balked if I’d known from the start how much of my life the project would devour. — Erika Swyler in an interview with Shelf Awareness
When an author is invested in her work to that level, I have to believe she’s given her all to writing the story, too. At least, I hoped so. And the synopsis promised me mermaids and carnivals. She’d landed a publisher with her unconventional methods, and so I decided to give her story a chance. I’m glad I did.
The story is really two tales, one set in the distant past (and written in past tense), and one set in present day (written in first person). The stories are connected, and as I read, the connections between the two became clear. I could attempt to describe the plot in some clever words, but I feel the story really should speak for itself. You can read an excerpt at Tor.com, and if the words intrigue you, perhaps you should allow a new-old book into your life—just as a librarian named Simon Watson did.